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The Enumerations




  BY THE SAME AUTHOR

  Birdseye (2014)

  Published in 2018 by Umuzi

  an imprint of Penguin Random House South Africa (Pty) Ltd

  Company Reg No 1953/000441/07

  The Estuaries No 4, Oxbow Crescent, Century Avenue, Century City, 7441, South Africa

  PO Box 1144, Cape Town, 8000, South Africa

  umuzi@penguinrandomhouse.co.za

  www.penguinrandomhouse.co.za

  © 2018 Máire Fisher

  www.mairefisher.com

  All rights reserved.

  No part of this book may be reproduced or transmitted in any form or by any means, mechanical or electronic, including photocopying and recording, or be stored in any information storage or retrieval system, without written permission from the publisher.

  First edition, first printing 2018

  1 3 5 7 9 8 6 4 2

  ISBN 978-1-4152-0964-6 (Print)

  ISBN 978-1-4152-1013-0 (ePub)

  Cover design by Jacques Kaiser

  Text design by Monique Cleghorn

  For Hannah and Colleen, with love from Noah and Kate

  ‘There are very few monsters who warrant the fear we have of them.’

  – ANDRÉ GIDE, AUTUMN LEAVES

  I wait, looking for somewhere to call home. I listen; my ears are keen.

  I hear voices, so many voices, but not one of them is right.

  I listen for a certain pitch. A tone, if you will. A feeling.

  Patience, I tell myself, give it time. And so I float, in the deep.

  Nothingness, I think you’d call it, but it is more than that. It echoes with all the sounds of the world, all the connections being made. Feelings calling, feelings answered. But me? No luck. I have no voice, no body to call my own.

  I wait in the echo-filled emptiness.

  I know that soon you will arrive, ready to be found.

  I am yours, and you will be mine. If you weren’t here, neither would I be. I’m the creature of your mind. I grow in you and with you. I grow for you.

  I almost have hold of you. You’re almost mine. I hear your voice, then you fade away. Yet something remains.

  I’m close. Close to each beat of your heart, each breath, each word. Once I am in, your every thought can become mine. I can direct what you do, how you do it, why.

  All I need is a chink. A small sliver of space.

  And here it is, and in I shall slip.

  Contents

  Part I

  Chapter 1

  Chapter 2

  Chapter 3

  Chapter 4

  Chapter 5

  Chapter 6

  Chapter 7

  Chapter 8

  Chapter 9

  Chapter 10

  Chapter 11

  Chapter 12

  Chapter 13

  Chapter 14

  Chapter 15

  Chapter 16

  Chapter 17

  Chapter 18

  Chapter 19

  Chapter 20

  Chapter 21

  Chapter 22

  Chapter 23

  Chapter 24

  Chapter 25

  Chapter 26

  Chapter 27

  Chapter 28

  Part II

  Chapter 29

  Chapter 30

  Chapter 31

  Chapter 32

  Chapter 33

  Chapter 34

  Chapter 35

  Chapter 36

  Chapter 37

  Chapter 38

  Chapter 39

  Chapter 40

  Chapter 41

  Chapter 42

  Chapter 43

  Chapter 44

  Chapter 45

  Chapter 46

  Chapter 47

  Chapter 48

  Chapter 49

  Chapter 50

  Chapter 51

  Chapter 52

  Chapter 53

  Chapter 54

  Chapter 55

  Chapter 56

  Chapter 57

  Chapter 58

  Chapter 59

  Chapter 60

  Chapter 61

  Chapter 62

  Chapter 63

  Chapter 64

  Chapter 65

  Chapter 66

  Chapter 67

  Chapter 68

  Chapter 69

  Chapter 70

  Chapter 71

  Chapter 72

  Chapter 73

  Chapter 74

  Chapter 75

  Chapter 76

  Chapter 77

  Chapter 78

  Chapter 79

  Chapter 80

  Chapter 81

  Chapter 82

  Chapter 83

  Chapter 84

  Chapter 85

  Chapter 86

  Chapter 87

  Chapter 88

  Chapter 89

  Chapter 90

  Chapter 91

  Chapter 92

  Chapter 93

  Chapter 94

  Chapter 95

  Chapter 96

  Chapter 97

  Chapter 98

  Chapter 99

  Chapter 100

  Chapter 101

  Chapter 102

  Chapter 103

  Chapter 104

  Chapter 105

  Chapter 106

  Chapter 107

  Chapter 108

  Chapter 109

  Chapter 110

  Chapter 111

  Chapter 112

  Chapter 113

  Chapter 114

  Chapter 115

  Chapter 116

  Chapter 117

  Chapter 118

  Chapter 119

  Chapter 120

  Chapter 121

  Chapter 122

  Chapter 123

  Chapter 124

  Chapter 125

  Chapter 126

  Chapter 127

  Chapter 128

  Chapter 129

  Chapter 130

  Chapter 131

  Chapter 132

  Chapter 133

  Chapter 134

  Chapter 135

  Chapter 136

  Chapter 137

  Chapter 138

  Chapter 139

  Chapter 140

  Chapter 141

  Chapter 142

  Chapter 143

  Chapter 144

  Chapter 145

  Chapter 146

  Chapter 147

  Chapter 148

  Chapter 149

  Chapter 150

  Chapter 151

  Chapter 152

  Chapter 153

  Chapter 154

  Chapter 155

  Chapter 156

  Chapter 157

  Chapter 158

  Chapter 159

  Chapter 160

  Chapter 161

  Chapter 162

  Chapter 163

  Chapter 164

  Chapter 165

  Chapter 166

  Chapter 167

  Chapter 168

  Chapter 169

  Chapter 170

  Chapter 171

  Chapter 172

  Chapter 173

  Chapter 174

  Chapter 175

  Chapter 176

  Chapter 177

  Chapter 178

  Chapter 179

  Chapter 180

  Chapter 181

  Chapter 182

  Chapter 183

  Chapter 184

  Chapter 185

  Chapter 186

  Chapter 187

  Chapter 188

  Chapter 189

  Chapter 190

  Chapter 191

  Chapter 192

  Chapter 193

  Chapter 194
<
br />   Chapter 195

  Chapter 196

  Chapter 197

  Chapter 198

  Chapter 199

  Part III

  Chapter 200

  Chapter 201

  Chapter 202

  Chapter 203

  Chapter 204

  Chapter 205

  Chapter 206

  Chapter 207

  Chapter 208

  Chapter 209

  Chapter 210

  Chapter 211

  Chapter 212

  Chapter 213

  Chapter 214

  Chapter 215

  Chapter 216

  Chapter 217

  Chapter 218

  Chapter 219

  Chapter 220

  Chapter 221

  Chapter 222

  Chapter 223

  Chapter 224

  Chapter 225

  Chapter 226

  Chapter 227

  Chapter 228

  Chapter 229

  Chapter 230

  Chapter 231

  Chapter 232

  Chapter 233

  Chapter 234

  Chapter 235

  Chapter 236

  Chapter 237

  Chapter 238

  Acknowledgements galore!

  I

  1.

  30 January 2013 / 08:32

  Noah Groome is strung out. He can’t concentrate, can’t think straight. He’s overslept this morning, for the 13th time in a row, and now he’s running late. 13 times his alarm has failed to wake him, 13 times he has had to leave his room without checking that all is where it should be, as it should be. 13 dog-nights, yipped into shreds.

  Everything is off-kilter, out of balance; the scales are tipping, and Noah doesn’t have time, can’t find time, to set it all to rights.

  He’s hurrying now, head bent, to get to class.

  Move it.

  A hissing from the Dark. A blur of shadow gathers as Noah tries to get things right.

  He stops. Takes a minute he can’t afford to breathe in … 2 3 4 5 and out … 2 3 4 5.

  He needs more time, to call on the 5s to restore order, but there’s none to spare. He’s so late, but he’ll slip into the back row as quietly as he can. That’s what he always does, that’s where he always sits.

  Noah is tall. Taller than most of the boys in his class, but he does his best to be unseen. It doesn’t work, though. He’s the one who:

  1.cannot open a door unless he pushes on the handle 5 times (down-up-down-up-down).

  2.taps his fingers (1 2 3 4 5) and beats out 5 with his feet.

  3.counts under his breath, and sometimes louder than that.

  4.takes his pen out of his pocket and puts it back in (and out-in-out) before he can start writing.

  5.keeps 5 pebbles in his pocket to run through his fingers like worry beads.

  And that’s just the start of the 5s.

  It’s hard for them not to notice him. He can’t move without counting under his breath, can’t pass a corner without tapping it quickly 5 times. He’s that boy who slips along corridors, a lanky shadow, head down, counting the steps between classrooms. He tries to stay below the radar. He offends no one, but he can’t make himself invisible.

  Today, Kyle Blake is also late, as are three of his friends, but not because they’ve been counting the tiles in the boys’ washroom, not because they can only step carefully in sets of 5. The smell of nicotine is strong on them and Noah’s nostrils flare; his lip pulls back.

  ‘Hey, what’s with you, Nuh-nuh-nuh-nuh-Noah?’ Kyle is almost as tall as Noah, with the pale, etiolated look of a weed that has shot up in the dark. His chin and cheeks are dotted with acne and his blond hair flops over his forehead and falls into his eyes. He jabs Noah in the chest.

  All Noah wants is to get to class and not be too late for English, not hear Mrs Simpson ask, Late again, Noah?, but Kyle has chosen this moment to have some fun with him. He steps away, but Kyle is in his path, weaving from side to side as Noah tries to get past him.

  ‘What’s the problem, Nuh-nuh-nuh-Noah?’ Kyle’s friends laugh as he taps Noah on his left arm and then on his right. Noah feels the Dark stir.

  You don’t have time for this.

  ‘Hey, Nuh-Noah?’ Kyle’s hand moves up to Noah’s face, taps him on the cheek—

  Noah wants to get away, that’s all he wants, that’s what he tells Dr Lovelock, six afternoons later: I wanted to get to class, that’s why I pushed him.

  It’s not much of a shove, but Noah keeps his body fighting fit, exercising daily, morning and night (when nothing interrupts his routine, when he has time to make sure everything’s as it should be, before he opens the door – down-up-down-up-down – to face a new day).

  Kyle goes sprawling and the three boys behind him snigger. Then Kyle is up and leaping onto Noah, grabbing at him, his breath hot and foul in Noah’s face.

  There’s no time for this.

  That’s when Noah twists Kyle’s arm up and back.

  The sound is a dull pop in the quiet corridor. Kyle wavers, his arm at a weird angle. There’s a split second between that and his mouth opening with a howl.

  Now look what you’ve done.

  Noah steps back, feeling it again: Kyle’s arm in his hand, the way his elbow just gave, the sudden yell.

  ‘What’s all this racket?’

  It’s Mr van Blerk, his classroom door open, looking at Kyle, taking in his oddly dangling arm. ‘My God, what’s happened?’

  And then Kyle is jabbing the air with his good hand, pointing. ‘Groome,’ he pants. ‘That bastard’s broken my arm.’

  2.

  Kate had to get out of the house, away from the phone that would ring and tell her what was going to happen next and when and where. They’ll be in touch, that’s what Mr Reynolds said when she was called in to the school to meet the accusing stares of Kyle’s parents, Leonie and Buddy Blake. ‘We’ll be in touch soon, Mrs Groome. The sooner we can get things sorted, the better for all concerned.’

  The better for whom? Kate thought as she saw the smug satisfaction on Leonie’s face. The better for Leonie, for Buddy Blake, without a doubt. Buddy, one of those men whose nicknames follow them from school and into the golf club and the bar after work. Better for Kyle Blake. And, of course, the better for the school. God forbid that even a whiff of scandal taint those exclusive halls.

  But what about the Groomes?

  ‘Perhaps you should keep Noah at home for a few days. Not a formal suspension, mind you. We wouldn’t want that on his record, would we?’

  ‘No, no, of course. Of course not,’ Kate said, picking up her bag, stumbling to the door. Avoiding Leonie’s stare. Not looking at Buddy’s face. Wishing Dominic had been able to leave work and come with her.

  She’s sitting outside a café now, watching the gentle swell of the sea, the holiday makers dipping into the waves and out of the heat. She should move out of the scorching sun, but she can’t summon the energy. Her coffee has gone cold, her hands are bunched tight in her lap. Relax, she tells herself. Breathe. Think. Mr Reynolds has set the ball rolling and Kate doesn’t know how to stop it.

  She and Dominic need to talk. ‘Let me get more details, Kate, find out what they plan to do next and then we’ll work things out.’ That’s what he promised her last night.

  Kate wishes now that she’d been quicker. Sharper. Replies churning in her head, the put-downs you never think of until it’s too late. But what about your son, Leonie? Buddy? I hear Kyle and his friends torment my son endlessly.

  ‘Not just Noah, Mom,’ Noah’s sister, Maddie said the night before, eyes blazing, her small frame bristling with frustration. ‘They pick on other kids too.’

  So yes, ‘What about the bullies in your school, Mr Reynolds?’ That’s what she should have asked.

  Too late now. The Blakes are out for blood. They’ve reported Noah to the police and are even threatening to press charges. Nothing Kate can say about how this is the first t
ime Noah has been involved in an altercation like this is going to make any difference. She feels it in every worrying memory of Noah mumbling under his breath and tapping his fingers. There are the notes sent home from school – ‘Noah’s constant tardiness disrupts the class’; ‘Noah’s behaviour is a distraction’ – and all the visits they have already made, to the school counsellor, to one therapist after another, the meds they’ve prescribed, their inability to get to the root of Noah’s anxiety, his behaviour.

  His medical records will probably be examined for proof of an ongoing ‘condition’. For proof of the fact that Noah has a ‘problem’.

  Kate imagines Leonie Blake nodding sanctimoniously. What she wouldn’t give to have Leonie sitting opposite her right now. Or maybe not. One assault against the Blake family is enough.

  ‘Kate?’ The voice is familiar, friendly.

  Kate looks up. It’s Monica Ryan, another wife, another school mother.

  ‘Are you okay?’

  Kate wonders if she should ask the same. Monica’s hair is uncombed, her pink sweatshirt stained. But before she has time to notice anything further, Monica has sat down.

  ‘You don’t mind if I join you, do you?’

  Kate can’t say no; that she’d rather be left alone, away from the silence of the house, away from the phone waiting to ring to deliver the next instalment of bad news.

  Monica catches the waitress’s eye. ‘Another one for you, Kate?’

  All Kate can do is nod, unknot her fingers and lay her hands on the table. Unlike Monica’s, they aren’t shaking. In fact, everything about Monica looks shaky, grey-skinned and tired. She leans closer and Kate catches a tell-tale whiff. She wonders how much Monica drank the night before, whether she started the day with vodka in her coffee. Or cane. Cane’s not supposed to leave a smell, and there isn’t one, just a slight sourness.

  ‘I’m so sorry, Kate,’ Monica’s saying now, and Kate looks up and meets her gaze.

  ‘You’re sorry?’

  She knows what Monica’s talking about, what they’re all talking about.

  ‘Someone was saying the Blakes want to take it further.’

  ‘Further?’ Kate looks at her blankly.

  ‘Lily said they were talking about it yesterday. All the mothers in the—’

  ‘The car park?’ Kate’s voice is resigned.

  ‘Are you okay, Kate?’ Monica is concerned. ‘When Juliet had to go away, it was hard, especially for Lily. She worships her sister. And now it looks like she’s going back there. Back to Greenhills.’

  Kate isn’t listening as Monica talks about Juliet and Lily. She’s latched onto two ominous words: Go away. Then she remembers that Monica’s daughter had been in some sort of clinic, and more than once.